Nadasurabhi Cultural Association located in Koramangala, Bangalore is in the forefront of promoting Classical Carnatic Music. Nadasurabhi conducts the highest quality music concerts every month and a week-long Annual Festival in November, free of charge to all rasikas. Our other events include a youth festival, Thyagaraja and Purandaradasa Aradhana, and music competitions for children.
Written by Smt.Harini Raghavan
The word ‘Varna’ in general, has different meanings like, colour, a syllable or people belonging to a particular sect, and so on. Bharata, the author of ‘Natyasastra’- one of the earliest literature on music- describes Varna as ‘a mode of singing’ (Ganakriyaa uchchyate varnaha). Here Varna means musical notes or ‘Swaras’. Varna evolves from ‘sapta swaras’ and expresses itself through various combinations of these ‘sapta swaras’. In yet another treatise the process of singing itself is described as Varna. Matanga explains the features of Varna as existing in groups of notes, traversing in the pattern of ‘Taanas’. An earlier treatise says that the ancient Varna patterns have absolutely no relation with the present Varna forms, and therefore Varnas must have come into existence only after ‘Kritis’ were shaped. Presently, in the field of carnatic music Varna is one of the most popular pieces of composition which has its own definite form and a huge variety. It has prime of place both as a practice piece (abhyasa gana) and a warming up piece in a regular concert.
Written by K.S.S.Raghavan. Published in Nadasurabhi Souvenir 2006
Two of the most important contributions of South India to the world body of knowledge are Carnatic Music and Tamil literature. Both these fields are ancient, rich and provide intellectual and emotional satisfaction to millions of people.
It is interesting to note that Tamil literature (particularly Iyal, in Prose and poetry form) contains in itself vast amounts of knowledge on Music. Starting from the earliest Tamil Literature available to us today (around 200 BC*), it is possible to trace the various forms of music (Isai) that had existed in different periods and the way it has transformed into today’s Carnatic music, by absorbing techniques from other Indian forms of music.
Written by Smt.Harini Raghavan. Published in Ananya Abhivyakti journal in 2006.
Technically speaking, ’Manipravalam’ refers to a harmonious blend of gems, ‘Mani’ and ‘Pravalam’, forming a beautiful garland. In poetical and musical works, this means a composition combining phrases in various languages, resulting in an aesthetically pleasing work of art.
Manipravalam is a separate literary language, consciously crafted by the elite medieval Kerala. The literature of the elite was composed in the curious mixture of Sanskrit and Malayalam which is referred to as Manipravalam, ‘Mani’ meaning ‘Ruby’ in Malayalam and ‘Pravalam’ meaning ‘Coral’ in Sanskrit. So, it is a type of composition which employs more than one language, in any one single composition.
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